My inbox is filled with opportunities to buy yarn every day. New releases and healthy discounts from my favorite yarn companies and retailers are hard to resist. But I don't need more yarn. I could happily knit for the next two years (at least) using nothing but yarn I already own. You, too?
How can we keep from feeling like small children drooling at the window of a closed candy store, while still keeping the size of our yarn collections under control? By thinking of shopping for yarn the way we think of casual dating.
Swipe left, swipe right
Shopping for yarn online is like browsing potential matches in an online dating app. Many of the options presented aren't really to my taste. Others are yarns I've already met. Occasionally one will catch my eye, and I'll dig a little deeper. Read the description. Look at additional photos. If I'm still intrigued, I'll order a skein or two—the equivalent of that first coffee date.
I would no more order a sweater quantity of an unfamiliar yarn than I would skip the coffee date and go straight to the sleepover. I want to get to know the yarn a little better before I commit to a big investment.
This is the yarn I had coffee with most recently. It is Knit Picks Altiplano, a worsted weight blend of wool and alpaca introduced late last year.
This is not one of those yarns where the first words that come to mind are mmmm, soft. I wouldn't say it's scratchy or itchy, but there is definitely a little friction. Altiplano is woolen spun; the fibers are not combed into strict alignment before spinning. This jumbled arrangement of fibers means the yarn doesn't have the silky softness you might expect from a blend with 35% alpaca. But it also means the yarn is loftier, warmer, and less likely to pill.
The Second Date
If coffee goes well, you might arrange a second date. The objective is to begin learning if you have similar tastes and interests. For me, this would be an afternoon at a bookstore or an art museum. In the case of yarn, there is no better test than making a swatch.
I know that many knitters hate to make swatches. But skipping the swatch with a new yarn is foolish. You can't really know how a yarn will behave until you've had it on your needles. Do you like how it feels in your hands? Is it easy to knit with? Do you like the fabric it creates? Will this fabric work well for the kinds of things you like to knit? After you've washed the swatch, how does the fabric change? Does it shrink, stretch out, become limp? Does it soften and bloom? Does the dye bleed? I want to know these things before I invest in enough yarn to make a sweater.
I am not one of those people who insists on making a gauge swatch at the start of every project. I will happily skip the swatch in either of the following circumstances:
I know the yarn and can refer back to a previous project for needle size and gauge information, and the stitch pattern is simple—stockinette stitch or a knit/purl texture.
I don't care what size the project turns out. A shawl, scarf, blanket, cowl—none of these need to be a precise size to be useful. Sometimes more-or-less is good enough.
Otherwise, I make a swatch at least 6" square in the stitch pattern I intend to use for the project. I will often test finishes like button bands on an edge of the swatch. I wash and dry the swatch the same way I intend to wash the finished project, then let it rest for a couple of days before measuring the gauge.
When swatching a new yarn, my approach is a little different. If I'm not enjoying the knitting, I cut my losses right away. There is no point knitting a 6" square with a yarn that annoys me. I might try several stitch patterns in a single long swatch—some lace, some cables, some slip stitch.
Sometimes my swatch is a hat. Hats are always useful, and they’re bound to fit someone. If, like me, you live in a warmer climate, you can always donate the hat. I periodically gather up surplus hats and send them to Knit the Rainbow.
Because of the slightly toothy texture, I thought Altiplano might do well in a stranded colorwork pattern. I drew a little chart, guesstimated how many stitches were needed, and cast on.
I'm really pleased with how this yarn behaves. It bloomed after washing just enough to form a nice, cohesive fabric. It is comfortable against the skin, and quite warm. Altiplano would make a beautiful cold-weather sweater. I might be ready to plan that sleepover.
I'll be publishing the pattern for this hat within the next week or so. Paid subscribers will receive a special email with a link to download the pattern at no cost. For free subscribers, I'll include a Ravelry link in a future newsletter so you can purchase the pattern if you'd like.
I have not yet settled on a name for this hat design. Do you have a suggestion? If so, please let me know by leaving a comment. If I choose the name you suggest, I'll send you a link to download the pattern on me!
The New York Times published an opinion piece last week by David Brooks about the impact of the arts on a society. That is a “gift” link, so you shouldn’t get hung up on the paywall. The article knocked my socks off. Here's a sample:
"Deep reading, immersing yourself in novels with complex characters, engaging with stories that explore the complexity of this character’s motivations or that character’s wounds, is a training ground for understanding human variety. It empowers us to see the real people in our lives more accurately and more generously, to better understand their intentions, fears and needs, the hidden kingdom of their unconscious drives. The resulting knowledge is not factual knowledge but emotional knowledge."
Yes, the article is long, but it is absolutely worthwhile. I could have highlighted nearly every other paragraph.
It took me a long time to warm up to David Brooks. I first became aware of him as a "conservative commentator". He was the political pundit with whom I always disagreed. Then I read his 2016 book The Road to Character.
In this book, Brooks looks at the lives of some of the world's great leaders and thinkers to discover how they developed a strong moral character. Through telling these stories, the author argues that nurturing core principles is more important than chasing external markers of success. He also reveals himself to be a deeply humane person. I still don't agree with his politics, but I admire the work he does toward promoting a more civil and caring society.
I'll leave you with one more quote from the Times article:
" The universe is a silent, colorless place. It’s just waves and particles out there. But by using our imaginations, we construct colors and sounds, tastes and stories, drama, laughter, joy and sorrow."
I hope your use your imagination this week to create a world full of beauty and kindness.
Thank you, as always, for granting me this bit of space in your head.
I am with you on swatching and David Brooks. With knitting it is so much better to know the yarn and stitch gauge that is happening on your needles than to be all cast on and halfway up the ribbing and starting to worry about the stitch gauge or how the yarn is sort of difficult to work with. If all knitters would make their swatches into hats to donate to others it would be a better world. Love the idea of doing that!
Like you, I usually was slightly or more than slightly irritated with what David Brooks said as a TV commentator. Then I saw him interviewed to promote a book and was quite amazed at how much I agreed with his thoughts and viewpoint. Looking forward to reading the NYT article and his book!
Also looking forward to making that sweet hat!
I have issues about knitting one skein. You might get a skein that is perfect in how it took the dye, was spun, needles you choose . The next skein is pure crap, uneven dyed, lots of broken strands, unevenly spun, kinks as you knit it. If doing color work, cables, various stitch patterns, it can eat up yarn quickly and not give you a true representation of its true self. That’s why two or even three skeins is helpful. Also asking friends if they have the yarn and can you trade, or barter for that yarn so you aren’t buying more.
I have an enormous stash and I am retired. What I have found is that I really like worsted for warmth, sport for shawls, fingering for shawls. If yarn isn’t my jam, I trade it, make hats, socks, lap blankets. If the weight is no longer one I like to knit, I start adding the unliked yarns together to make a new yarn. Swatch and see what it says.
I miss having a yarn store or several in a quick drive. Now its at least and hour drive. So having a stash is important to me. I like resources for my artistic ventures and exploration. That’s what I really miss. Technical, informative posts like this. I miss Clara Parks yarn reviews because they were insightful. I miss when different knitters respond about their experiences with various yarns. I like artists/knitters who do something with yarn that is out of the ordinary.I also miss when a sweaters worth of yarn with a bit of a discount enabled me to try different fibers to see how they played together, or not. And for under a $100! While I love the colors of high end yarns, I, personally, can not justify the cost. That is me.
I miss the old WEBs with Kathy and Steve, I miss that connection. My downfall is LittleKnits. Periodically I unsubscribe to various vendors just so I am not enticed. Well that’s my bit. Looking forward to this substack.